Color pops out towards the viewers of name Caravan Palace. The contrasting dark and bright red, highlights the band’s taste in era, creating a surreal monochromatic scene within their label. From the chaos breaks out the giant robot, initially found in their first album playing with a gramophone. The robot, built towards enormous proportions, scaling the Eiffel Tower referencing King Kong, the giant ape turned monster as he rampaged through New York. However, unlike its American counterpart, the robot is a peaceful giant turned war machine against aliens, among a ruined France. The robot reaching over towards an invader. The saucer instructing the citizens below, and to introduce the audience to Panic, the name of Caravan Palace’s second feat. Science fiction combined with the setting of early 1900’s Paris perfectly encapsulates the fusion between electronic house and 1930’s swing and jazz music, the namesake of Caravan Palace’s style. The robot, being an element of the future, donning the mantle of original science fiction adventures in space. The invaders and their battle with the robot, the signaling of the opposites of old and new, future and past. An impossible and amazing feat of hybridity in music, rocking the grounds of Paris. Leaving a mark on the surface of France, forever remembered as the battle of different times in history.