2 gridded color fields
























required and more detail images are optional







2 gridded color fields
























required and more detail images are optional







On Tuesday I greatly edited my large painting and made slight edits to all of my other paintings. I completely redid the large painting pretty much. I hadn’t done much for it yet but was dissatisfied with what I did have, so I painted over it completely with shades of blue. The painting at this point was very muddled and chaotic, completely covered with unique shapes. So I kept flipping the canvas over and over again until I saw a potential painting amongst the random shapes. This is how I did most of my paintings this quarter. Especially with the toothbrush plate painting, where I loosely globbed gesso on it and came up with a painting based on a composition I saw in the random gesso shapes. The gesso shapes are still visible beneath the paint.
forgot to update. ill update tomorrow!!!!
I covered a lot of project stuff in my Week 7 reflection, I’ll keep them seperate from now on.
Continue reading
MONDAY – Project Presentation
The night before when I was doing the week 6 reflection is when I actually came up with a better idea for what I wanted to do with my project. I chose existentialism because it seemed like a fun topic to explore and paint about, although, I do think I’m being pretty generic. Shout out to Petra for loaning me these books and helping me figure out a direction to go for the written side. Do Androids Deam of Electric Sheep? (Philip K. Dick) Existentialism is a Humanism, and No Exit (Sartre)


A fully packed week for me with Halloween + weekend events in addition to class/field trip. I’d say that I’ve fallen behind a bit in class this week with readings and project development.
THEORY
The figure/ground and form/facture/ “Post-Feminism”/the photographic/ abstraction and more creative copying
Reading: Painting Today: ch’s on Abstraction, Photographic, and Post-Feminism; PDF:Shutz-Sillman interview
Podcast/Video: TJ Clark on Rembrandt (for Thursday’s studio workshop) Continue reading
THEORY
The figure/ground and form/atmospheric perspective/paint as skin/a la prima/the work of art in the age of mechanical reproducibility and the naked and the nude and more creative copying
Reading: Painting Today: ch’s on The Global Scene, Western Traditions, and The Figure; PDF: The Creative Copy
(for Wednesday)
Podcast/Video: John Berger, Ways of Seeing, 1972, episode 1 (Links to an external site.) and episode 2 (Links to an external site.) (30 min each); ALS Hanneline Rogeberg (Links to an external site.) (1.5 hrs) Continue reading
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The Evergreen State College
Olympia, Washington