Deconstruction of subjectivity to expose objectivity allows an audience to sit, engage, and argue with a body of work. Memory as a framework strengthens the validation of objectivity as both are repeatedly revisited, reviewed, and under reconstruction to develop an understanding of unrecognizable present information. In this project, a theoretical relationship between memory and objectivity mimic each other. They are a challenge to process and contain multiple pieces often with unrecognizable characteristics. Reconstruction is needed to recognize memory and objectivity as one whole itself, despite the scattered pieces and difficulties to interpret.
The power of memory shapes the visual perspective of familiar imagery as a literal painting may expose too much while an abstraction may do the opposite. Therefore objectivity is harder to interpret. To deconstruct a memory, an image, a perspective is to reconstruct the preconceived value of subjectivity in a painting, an experience, a persistent dilemma. To be recognized as one memory and one body of work is a key component in this project. It is to comprehend the confusion and suffocation of traumatic grief.

The involuntary relationship with grief embodied objects: Bed

Final exhibition presentation.

Piece one.

Piece two.