Sacred Movement, Sacred Sound Debrief of Weeks 1 & 2 Esposito 10/12/14
But the man who combines within his mortal frame knowledge, love, and selfless service is holy and becomes a place of pilgrimage, like the confluence of the rivers Ganges, Saraswarti, and Jamuna. – Iyengar (1966, 1968, 1976), p. 22.
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Welcome to Week 3! With two beats (Week 1, Week 2) we establish rhythm. With three we can sense direction.
- Introductions, syllabus, covenant, method
Week One: Who are you? (RIMI, Alice, Past-Present-Future, we are processes; not static, beings in time…)
Workshop activity: “Mirror-Curtain-Light (blackout)” – Soma (lived body), Hanna
Week Two: Who are we? – body, breath (life), mind, – asana, pranayama, dharana – sangha
Workshop activity: “Shiva” – group shape (soma-to-sangha), Progressive Relaxation, Autogenic Conditioning, trance, SENSATION, creative visualization, proprioception (creating sensation in the body using mental imaging)
Week Three (proposed): What do we do? Action, the act. The inverse symmetry of ritual trance, shamanic techniques, healing, magic, ritual; know what’s wrong before attempting to heal; Somatics, the inverse logic of embodiment
Basic Concepts and Vocabulary
AWARENESS: sensation, feeling, thought, movement (Feldenkrais)
CONTENT: Power-powerlessness, Freedom-bondage, Belonging-alienation, Fun-grief (Glasser)
FORM: Shape, Space, Time, Motion (Nikolais)
SPACE: point, line, plane, volume (architectural)
Vertical, Horizontal, Depth (Deep-high-and-wide)
2-D Planes: Vertical + Depth = Wheel plane (Laban)
Vertical + Width = Door plane (“)
Depth + Width = Table plane (“)
SHAPE: symmetry, asymmetry; solo soma and group shape, the individual and the group
METHOD: Gestalt (holism) – Alternate polarities, Overlap polarities, Integrate polarities, such as doing and observing, moving and talking, etc.
Workshop 1: “Mirror, Curtain, Black-out”
- Movement, from ‘out there’ to ‘in here’ in three steps (beg., mid., end)
- Metaphor, sign, icon, symbol
Concepts: Inverse Symmetry – your reflection’s left arm is your right arm. There is an inverse symmetry of Time, Space, Shape, and Motion… we can create an effect by understanding its opposite. Mind-body, body-mind; “work on one is work on the other”.
Workshop 2: “Shiva”: Line up single-file facing mirror, create random designs with limbs; design vertical by changing level: low, middle, high; design horizontal in symmetry, balancing left and right; move along line without destroying illusion of “one body with many limbs/heads”.
- Three worlds, Week 1 recap—“mirror-curtain-light/dark”conceptually related to “3 Jewels”.
- With mirror open – sangha – all of us plus our “shadows”
- With curtain closed – dharma – our real selves, flesh and blood relationship, reality working out our paths—karma is how we work out our dharma
- Light (blackout) – Buddha nature (self) – enlightenment, awakening to Self, I, Buddha nature, going within to find moksa, liberation, FUN, sweetness, seduction, subversion, laughing liminality! Like leaping lizards? Ha!
- The Theatrical ACT
o Seminar: eventually we got to the subversive act—to “subvert the subversion”, a trope used by Herbert Marcuse, in One Dimensional Man (1964)
- Art, performing arts, live voice, live embodiment; “the art”, magic, shamanistic techniques
- SENSATION
- Part of somatic awareness (sensation-feeling-thought-movement)
i. Concentric muscle contraction
ii. Eccentric “
iii. Isometric “
- Awareness of Sensation
i. Hanna’s SMA (sensory-motor amnesia) synesthesia—lack of sensation
ii. Focus awareness (dharana)
- Body part
- Tense muscle on in-breath; relax on out-breath
iii. Awareness and Control, Stability and Mobility—inverse symmetry
- As in “mirror-curtain-light”
- “Pattern” is discerned consciousness, one-pointed attention (dyhana), prolonged (discipline)
- Develop mental focus—on sensation (contract/release; ‘rolling weight’, ‘inner wave’…
- Associate image and Sensation
- Focus consciousness with INTENT
- Intent
i. Goal
ii. Pilgrimage
iii. Transformation
- Group Shape (“Shiva”)
i. Like “pair walk”, creating heightened sensitivity to Self and Others
ii. Common intent
- Seminar 10/8/14 – emerging themes
- Unity in Diversity (of religions)
- What are the ‘universals’?
- What are you going to do (about it)?
- Art as medium of sacred, non-ordinary or extra-ordinary or heightened awareness of holiness inside of everything
- Creativity
- Creating modern rituals tapping ancient ‘wisdom’
- Shamanistic techniques, (or any indigenous cosmology rooted in Nature, consistently and actively engaged through balanced sensitivity to needs and desires of self-other-world expressed as a dialectic of power/freedom/belonging/fun, in collective, communal “acts”.
- Lecture, Workshop, seminar Points
- The architecture of the BODY (Bartenieff hand-out), upper & lower unit, left and right side, is homologous to the architecture of space.
- The architecture of buildings is homologous to motion and functionality
- Trance and Creative Visualization
i. Relaxation—quiet body and mind
ii. Visualize – sensation to image (proprioception)
iii. Association – metaphor linking part of one realm of experience to another, as in sensation to emotion, emotion to thought, thought to movement, etc.
iv. Limitations of metaphoric ‘frame’
- Focus
- Intent
- AUM – Sound– open (A), focus (U), close (M) – bringing it all ‘home’
- Method – Alternate, define polarities (Curtain-Mirror-Light/Dark); Overlap, play, fun, (“Shiva”), mirror, inverse symmetry; Integrate conscious ‘manipulation’ of sensorimotor intelligence (our next step in Week 3)