Feb 12

The Accident (Funkhouser)

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The Accident, by Erica Funkhouser (1949-)

She heard the nasty scraping of sole and heel
against the clipped turf of the doormat;
then their neighbor rushed in,
just back from the hospital,
where everything was fine, she said.
Fine. Her son had to spend the night
for observation, that was all.
He had been grazed by a delivery van
while crossing the street on his bike.
A few bruises, a superficial wound
above one knee. Incredible luck.
The neighbor was still wearing
her jogging clothes—pale blue
ripstop nylon, the same blue flame
along the instep of her running shoes.
She slid a chair from underneath
the kitchen table and sat down,
her long legs straight in front of her
like a ladder to a different world.
It was when the neighbor answered “yes”
to a question the woman’s husband
had not yet asked
that the woman finally understood.
Her husband had not even mentioned eggs,
but the neighbor knew he was going to cook for her.
How many times had they eaten together,
the woman watching wondered. Enough.
Her husband worked slowly,
strolling back and forth between the stove,
the coffee maker, and the table
where his wife and the still-flushed neighbor
leaned on their elbows discussing
the hazards of dusk.
On the counter, the eggs
developed little caps of moisture.
Her husband put lots of butter
in the pan and popped the toaster manually
before the toast could burn.
At long last he broke the eggs.
She had never seen him
do it like this before, two-handed.
He always liked to show off
by breaking the eggs with one hand.
This evening
his hands were trembling
as he cracked the eggs
on the skillet’s rim, hurrying to slide
the whole brimming mess into the pan
to quiet the sizzling fat.

Feb 11

It’s Hard to Keep a Clean Shirt Clean (Jordan)

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It’s Hard to Keep a Clean Shirt Clean, by June Jordan (1936-2002)

It’s a sunlit morning
with jasmine blooming
easily
and a drove of robin redbreasts
diving into the ivy covering
what used to be
a backyard fence
or doves shoving aside
the birch tree leaves
when
a young man walks among
the flowers
to my doorway
where he knocks
then stands still
brilliant in a clean white shirt

 

He lifts a soft fist
to that door
and knocks again

 

He’s come to say this
was or that
was
not
and what’s
anyone of us to do
about what’s done
what’s past
but prickling salt to sting
our eyes

 

What’s anyone of us to do
about what’s done

 

And 7-month-old Bingo
puppy leaps
and hits
that clean white shirt
with muddy paw
prints here
and here and there

 

And what’s anyone of us to do
about what’s done
I say I’ll wash the shirt
no problem
two times through
the delicate blue cycle
of an old machine
the shirt spins in the soapy
suds and spins in rinse
and spins
and spins out dry

 

not clean

 

still marked by accidents
by energy of whatever serious or trifling cause
the shirt stays dirty
from that puppy’s paws

 

I take that fine white shirt
from India
the threads as soft as baby
fingers weaving them
together
and I wash that shirt
between
between the knuckles of my own
two hands
I scrub and rub that shirt
to take the dirty
markings
out

 

At the pocket
and around the shoulder seam
and on both sleeves
the dirt the paw
prints tantalize my soap
my water my sweat
equity
invested in the restoration
of a clean white shirt
And on the eleventh try
I see no more
no anything unfortunate
no dirt

 

I hold the limp fine
cloth
between the faucet stream
of water as transparent
as a wish the moon stayed out
all day

 

How small it has become!
That clean white shirt!
How delicate!
How slight!
How like a soft fist knocking on my door!
And now I hang the shirt
to dry
as slowly as it needs
the air
to work its way
with everything
It’s clean.
A clean white shirt
nobody wanted to spoil
or soil
that shirt
much cleaner now but also
not the same
as the first before that shirt
got hit got hurt
not perfect
anymore
just beautiful

 

a clean white shirt

 

It’s hard to keep a clean shirt clean.
Feb 10

First Dawn Light (Penn Warren)

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First Dawn Light, by Robert Penn Warren (1905-1989)

By lines fainter gray than the faintest geometry

Of chalk, on a wall like a blackboard, day’s first light

Defines the window edges. Last dream, last owl-cry

Now past, now is the true emptiness of night,

 

For not yet first bird-stir, first bird-note, only

Your breath as you wonder what daylight will bring, and you try

To recall what the last dream was, and think how lonely

In sun-blaze you have seen the buzzard hang black in the sky.

 

For day has its loneliness too, you think even as

First bird-stir does come, first twitter, faithless and fearful

That new night, in the deep leaves, may lurk.  So silence has

Returned.  then, sudden, the glory, heart-full and ear-full,

 

For triggered now is the mysterious mechanism

Of the forest’s joy, by temperature or by beam,

And until a sludge-thumb smears the sunset’s prism,

You must wait to resume, in night’s black hood, the reality of dream.

Feb 09

Buddhist New Year Song (di Prima)

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Buddhist New Year Song, by Diane di Prima (1934-)

I saw you in green velvet, wide full sleeves
seated in front of a fireplace, our house
made somehow more gracious, and you said
“There are stars in your hair”— it was truth I
brought down with me

 

to this sullen and dingy place that we must make golden
make precious and mythical somehow, it is our nature,
and it is truth, that we came here, I told you,
from other planets
where we were lords, we were sent here,
for some purpose

 

the golden mask I had seen before, that fitted
so beautifully over your face, did not return
nor did that face of a bull you had acquired
amid northern peoples, nomads, the Gobi desert

 

I did not see those tents again, nor the wagons
infinitely slow on the infinitely windy plains,
so cold, every star in the sky was a different color
the sky itself a tangled tapestry, glowing
but almost, I could see the planet from which we had come

 

I could not remember (then) what our purpose was
but remembered the name Mahakala, in the dawn

 

in the dawn confronted Shiva, the cold light
revealed the “mindborn” worlds, as simply that,
I watched them propagated, flowing out,
or, more simply, one mirror reflecting another.
then broke the mirrors, you were no longer in sight
nor any purpose, stared at this new blackness
the mindborn worlds fled, and the mind turned off:

 

a madness, or a beginning?

 

NOTE:
Mahakala and Shiva are Buddhist deities, in Hinduism they are different manifestations of the same deity.   The Gobi Desert is a huge desert in Mongolia and northern China.
Feb 09

Last Snow (Erdrich)

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Last Snow, by Heid E. Erdrich (1963-)

Dumped wet and momentary on a dull ground
that’s been clear but clearly sleeping, for days.
Last snow melts as it falls, piles up slush, runs in first light
making a music in the streets we wish we could keep.
Last snow. That’s what we’ll think for weeks to come.
Close sun sets up a glare that smarts like a good cry.
We could head north and north and never let this season go.
Stubborn beast, the body reads the past in the change of light,
knows the blow of grief in the time of trees’ tight-fisted leaves.
Stubborn calendar of bone. Last snow. Now it must always be so.
Feb 07

Silences (Pratt)

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Silences, by E. J. Pratt (1882-1964)

There is no silence upon the earth or under the earth like the silence
under the sea;
No cries announcing birth,
No sounds declaring death.
There is silence when the milt is laid on the spawn in the weeds and
fungus of the rock—clefts;
And silence in the growth and struggle for life.
The bonitoes pounce upon the mackerel,
And are themselves caught by the barracudas,
The sharks kill the barracudas
And the great molluscs rend the sharks,
And all noiselessly —
Though swift be the action and final the conflict,
The drama is silent.

There is no fury upon the earth like the fury under the sea.
For growl and cough and snarl are the tokens of spendthrifts who
know not the ultimate economy of rage.
Moreover, the pace of the blood is too fast.
But under the waves the blood is sluggard and has the same
temperature as that of the sea.

There is something pre—reptilian about a silent kill.

Two men may end their hostilities just with their battle—cries,
‘The devil take you,’ says one.
‘I’ll see you in hell first,’ says the other.
And these introductory salutes followed by a hail of gutturals
and sibilants are often the beginning of friendship, for who would
not prefer to be lustily damned than to be half—heartedly blessed?
No one need fear oaths that are properly enunciated, for they
belong to the inheritance of just men made perfect, and, for all we
know, of such may be the Kingdom of Heaven.
But let silent hate be put away for it feeds upon the heart of the hater.

Today I watched two pairs of eyes. One pair was black and the
other grey. And while the owners thereof, for the space of five
seconds, walked past each other, the grey snapped at the black and
the black fiddled the grey.
One looked to say — ‘The cat,’
And the other— ‘The cur.’
But no words were spoken;
Not so much as a hiss or a murmur came through the perfect enamel
of the teeth; not so much as a gesture of enmity.
If the right upper lip curled over the canine, it went unnoticed.
The lashes veiled the eyes not for an instant in the passing.
And as between the two in respect to candour of intention or
eternity of wish, there was no choice, for the stare was mutual and
absolute.
A word would have dulled the exquisite edge of the feeling.
An oath would have flawed the crystallization of the hate.
For only such culture could grow in a climate of silence —
Away back before emergence of fur or feather, back to the unvocal
sea and down deep where the darkness spills its wash on the
threshold of light, where the lids never close upon the eyes, where
the inhabitants slay in silence and are as silently slain.

Feb 06

No Images (Waring Cuney)

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No Images, by William Waring Cuney (1906-1976)

She does not know
her beauty,
she thinks her brown body
has no glory.

 

If she could dance
naked
under palm trees
and see her image in the river,
she would know.

 

But there are no palm trees
on the street,
and dish water gives back
no images.
Feb 05

What’s Broken (Laux)

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What’s Broken, by Dorianne Laux (1952-)

The slate black sky. The middle step
of the back porch. And long ago

 

my mother’s necklace, the beads
rolling north and south. Broken

 

the rose stem, water into drops, glass
knobs on the bedroom door. Last summer’s

 

pot of parsley and mint, white roots
shooting like streamers through the cracks.

 

Years ago the cat’s tail, the bird bath,
the car hood’s rusted latch. Broken

 

little finger on my right hand at birth—
I was pulled out too fast. What hasn’t

 

been rent, divided, split? Broken
the days into nights, the night sky

 

into stars, the stars into patterns
I make up as I trace them

 

with a broken-off blade
of grass. Possible, unthinkable,

 

the cricket’s tiny back as I lie
on the lawn in the dark, my heart

 

a blue cup fallen from someone’s hands.
Feb 04

The New Colossus (Lazarus)

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The New Colossus, by Emma Lazarus (1849-1887)

Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!”
Feb 03

The Role of Elegy (Bang)

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The Role of Elegy, by Mary Jo Bang (1946-)

The role of elegy is
To put a death mask on tragedy,
A drape on the mirror.
To bow to the cultural

 

Debate over the aesthetization of sorrow,
Of loss, of the unbearable
Afterimage of the once material.
To look for an imagined

 

Consolidation of grief
So we can all be finished
Once and for all and genuinely shut up
The cabinet of genuine particulars.

 

Instead there’s the endless refrain
One hears replayed repeatedly
Through the just ajar door:
Some terrible mistake has been made.

 

What is elegy but the attempt
To rebreathe life
Into what the gone one once was
Before he grew to enormity.

 

Come on stage and be yourself,
The elegist says to the dead. Show them
Now—after the fact—
What you were meant to be:

 

The performer of a live song.
A shoe. Now bow.
What is left but this:
The compulsion to tell.

 

The transient distraction of ink on cloth
One scrubbed and scrubbed
But couldn’t make less.
Not them, not soon.

 

Each day, a new caption on the cartoon
Ending that simply cannot be.
One hears repeatedly, the role of elegy is.

Words That Burn