Jan 03

Homesteading (Steinbaum)

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Homesteading, by Ellen Steinbaum (1943-)

I am spreading out stretching
my reach to occupy new territory.
I am pouring into drawers,
taking over space.
Only small encroachments first–
a shelf of the medicine chest
where the aftershave and razors used to be–
and soon I own the cabinet
and the closet, where my shoes
now toe the mark his shoes made
and my scarves drape over the tie rack
and my clothes slowly creep to his closet from mine,
where barren inches yawn between the lonesome shirts.
In the sudden space of my nearly empty closet
I am stunned and for a moment can’t remember
which of us is gone.

Jan 02

A Mother to Her Waking Infant (Baillie)

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A Mother To Her Waking Infant, by Joanna Baillie (1762-1851)

Now in thy dazzling half-oped eye,
Thy curled nose and lip awry,
Uphoisted arms and noddling head,
And little chin with crystal spread,
Poor helpless thing! what do I see,
That I should sing of thee?

 

From thy poor tongue no accents come,
Which can but rub thy toothless gum:
Small understanding boasts thy face,
Thy shapeless limbs nor step nor grace:
A few short words thy feats may tell,
And yet I love thee well.

 

When wakes the sudden bitter shriek,
And redder swells thy little cheek
When rattled keys thy woes beguile,
And through thine eyelids gleams the smile,
Still for thy weakly self is spent
Thy little silly plaint.

 

But when thy friends are in distress.
Thou’lt laugh and chuckle n’ertheless,
Nor with kind sympathy be smitten,
Though all are sad but thee and kitten;
Yet puny varlet that thou art,
Thou twitchest at the heart.

 

Thy smooth round cheek so soft and warm;
Thy pinky hand and dimpled arm;
Thy silken locks that scantly peep,
With gold tipped ends, where circle deep,
Around thy neck in harmless grace,
So soft and sleekly hold their place,
Might harder hearts with kindness fill,
And gain our right goodwill.

 

Each passing clown bestows his blessing,
Thy mouth is worn with old wives’ kissing;
E’en lighter looks the gloomy eye
Of surly sense when thou art by;
And yet, I think, whoe’er they be,
They love thee not like me.

 

Perhaps when time shall add a few
Short years to thee, thou’lt love me too;
And after that, through life’s long way,
Become my sure and cheering stay;
Wilt care for me and be my hold,
When I am weak and old.

 

Thou’lt listen to my lengthened tale,
And pity me when I am frail —
But see, the sweepy spinning fly
Upon the window takes thine eye.
Go to thy little senseless play;
Thou dost not heed my lay.
Jan 02

Museum of the Unmoving Image (James)

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Museum of the Unmoving Image, by Clive James (1939-)

The objects on display might seem to lack
Significance, unless you know the words.
The final straw that broke the camel’s back,
The solitary stone that killed two birds.

Does this stuff really merit a glass case?
A tatty mattress and a shrivelled pea,
A shadow that somebody tried to chase,
A rusty pin that somehow earned a fee?

That gilded lily might have looked quite good
Without the dust that you won’t see me for.
But where’s the thrill in one piece of touched wood?
I think we’ve seen that uncut ice before.

A strained-at gnat, how interesting is that?
Gnats that were never strained at look the same.
Behold the pickled tongue got by the cat,
The ashes of the moth drawn to the flame.

Spilled milk, rough diamond, gift horse, gathered moss,
Dead duck, gone goose, bad apple, busted flush —
They’re all lined up as if we gave a toss.
Try not to kill each other in the crush.

They’ve got an annexe for the big events:
Burned boats and bridges, castles in the air,
Clouds for your head to be in, rows of tents
For being camp as. Do we have to care?

What does this junk add up to? Look and learn,
The headphones say. They say our language grew
Out of this bric-a-brac. Here we return
To when the world around us shone brand new,

Lending its lustre to what people said;
Their speech was vivid with specific things.
It cries out to be brought back from the dead.
See what it was, and hear what it still sings.

Dec 31

The New Song (Merwin)

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The New Song, by W.S. Merwin (1927-)

For some time I thought there was time

and that there would always be time

for what I had a mind to do

and what I could imagine

going back to and finding it

as I had found it the first time

but by this time I do not know

what I thought when I thought back then

 

there is no time yet it grows less

there is the sound of rain at night

arriving unknown in the leaves

once without before or after

then I hear the thrush waking

at daybreak singing the new song

Dec 30

Outside of Richmond, Virginia, Sunday (Slicer)

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Outside of Richmond, Virginia, Sunday, by Deborah Slicer (1953-)

It’s the kind of mid-January afternoon—

the sky as calm as an empty bed,

fields indulgent,

black Angus finally sitting down to chew—

that makes a girl ride her bike up and down the same

muddy track of road

between the gray barn and the state highway

all afternoon, the black mutt

with the white patch like a slap on his rump

loping after the rear tire, so happy.

Right after Sunday dinner

until she can see the headlights out on the dark highway,

she rides as though she has an understanding with the track she’s

opened up in the road,

with the two wheels that slide and stutter in the red mud

but don’t run off from under her,

with the dog who knows to stay out of the way but to stay.

And even after the winter cold draws tears,

makes her nose run,

even after both sleeves are used up,

she thinks a life couldn’t be any better than this.

And hers won’t be,

and it will be very good.

Dec 29

Bedtime Reading for the Unborn Child (Mattawa)

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Bedtime Reading for the Unborn Child, by Khaled Mattawa (1964-)

Long after the sun falls into the sea
and twilight slips off the horizon like a velvet sheet
and the air gets soaked in blackness;
long after clouds hover above like boulders
and stars crawl up and stud the sky;
long after bodies tangle, dance, and falter
and fatigue blows in and bends them
and sleep unloads its dreams and kneads them
and sleepers dive into the rivers inside them,
a girl unlatches a window,
walks shoeless into a forest,
her dark hair a flag rippling in darkness.

 

She walks into woods, her feet light-stepping
through puddles, over hard packed dirt,
through grassy hills, over sticks and pebbles
over sand soaked in day, stones sun-sizzled
over lakes and frigid streams
through dim cobbled streets
darkened squares and dusty pastures.
She runs from nothing, runs to nothing,
beyond pain, beyond graveyards and clearings.
In the dark the eyes of startled creatures
gleam like a herd of candles.
They scatter and give night its meaning.

 

What echo of a bell lulled her
what spirit, what scent of a word
whose storm wrote her
what banks fell to drown her
which blood star
which thread of water
which trickle of light
whose heart being launched
whose floating soul seduced her
what promise did it make her
whose memory burned her
whose prayer did she run to answer
whose help, what sorrow clot
what pain dammed inside her
what wall must she rebuild now
whose treasure beckons her
who spread ivy like a veil to blind her?
Daybreak lies chained to a blue wall
from which the stars drop
and lose all meaning.

 

She runs past villages that lost their names
roads that lost their destinations
seas that lost their compasses and sailors
rivers that lost their marshlands and travelers
houses that lost their sleepers and criers
trees that lost their songs and shadows
gardens that lost their violets and benches
valleys that lost their worms and farmers
mountains that lost their prophets and marauders
temples that lost their sinners and spires
lightning that lost its silver and wires
chimeras that lost their bridges
minotaurs that lost their fountains.
Crescent moons hover above her,
ancient white feathers, birdless, wingless
lost to their own meaning.

 

Music rises out of her vision.
It stands, a wall covered with silver mosses.
A clarinet sounds a wounded mare,
violins women who lost their children.
Flutes blow their hot dry breezes.
Drums chuckle the earth’s ceaseless laughter.
Pianos are mumbling sorcerers
calling spirits and powers.
Cellos chew on the sounds of thunder.
Dulcimers skip about on crutches.
Dance floors flash their knives
daring their dancers.
Words mill about the streets like orphans.
Then a lute begins groaning
and dawn loses its meaning.

 

Night girl, night girl
your book is full now.
You have drawn all the pictures.
You have seen many weepers.
Stars held your sky in place and moons
floated on your lakes and washed them.
When a bird sings
when dewed branches tilt sunlight into eyes
when curtains are soaked with light
when mirrors drown in shadows,
take your day to the shore, my child.
Put out the words that fired your waking,
scatter them on the sand like seeds,
then with your feet gently tap them,
and let the bright waves
receive your meaning.
Dec 28

Immortal Sails (Noyes)

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Immortal Sails, by Alfred Noyes (1880-1958)

Now, in a breath, we’ll burst those gates of gold,
   And ransack heaven before our moment fails.
Now, in a breath, before we, too, grow old,
   We’ll mount and sing and spread immortal sails.

 

It is not time that makes eternity.
   Love and an hour may quite out-span the years,
And give us more to hear and more to see
   Than life can wash away with all its tears.

 

Dear, when we part, at last, that sunset sky
   Shall not be touched with deeper hues than this;
But we shall ride the lightning ere we die
   And seize our brief infinitude of bliss,

 

With time to spare for all that heaven can tell,
While eyes meet eyes, and look their last farewell.
Dec 27

When you See the Millions of the Mouthless Dead (Sorley)

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When You See Millions of the Mouthless Dead, by Charles Sorley (1895-1915)

When you see millions of the mouthless dead
Across your dreams in pale battalions go,
Say not soft things as other men have said,
That you’ll remember. For you need not so.
Give them not praise. For, deaf, how should they know
It is not curses heaped on each gashed head?
Nor tears. Their blind eyes see not your tears flow.
Nor honour. It is easy to be dead.
Say only this, “They are dead.” Then add thereto,
“Yet many a better one has died before.”
Then, scanning all the o’ercrowded mass, should you
Perceive one face that you loved heretofore,
It is a spook. None wears the face you knew.
Great death has made all his for evermore.
Dec 26

Sternly Departing/Divorced Fathers and Pizza Crusts (Halliday Double Feature)

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Sternly Departing, by Mark Halliday (1949-)

Nobody seemed to notice me for three days in San Diego
as if I were less significant than a spindly palm tree
yet when my plane took off from the airport
at that moment all over San Diego people paused
and glanced into some crystal of absence;
the plane’s wheels lifted unequivocally from the runway
and San Diego was left with a diminished portion of the possible

and in particular several thousand quite healthy women
in their twenties and thirties (okay and early forties)
felt a sudden shiver and fearfully touched their hair
as my plane rose sternly into the blue
of the tremendous Unavailable, so gone and so debonair.

 

Divorced Fathers and Pizza Crusts, by Mark Halliday (1949-)

The connection between divorced fathers and pizza crusts
is understandable. The divorced father does not cook
confidently. He wants his kid to enjoy dinner.
The entire weekend is supposed to be fun. Kids love
pizza. For some reason involving soft warmth and malleability
kids approve of melted cheese on pizza
years before they will tolerate cheese in other situations.
So the divorced father takes the kid and the kid’s friend
out for pizza. The kids eat much faster than the dad.
Before the dad has finished his second slice,
the kids are playing a video game or being Ace Ventura
or blowing spitballs through straws, making this hail
that can’t quite be cleaned up. There are four slices left
and the divorced father doesn’t want them wasted,
there has been enough waste already; he sits there
in his windbreaker finishing the pizza. It’s good
except the crust is actually not so great—
after the second slice the crust is basically a chore—
so you leave it. You move on to the next loaded slice.
Finally there you are amid rims of crust.
All this is understandable. There’s no dark conspiracy.
Meanwhile the kids are having a pretty good time
which is the whole point. So the entire evening makes
clear sense. Now the divorced father gathers
the sauce-stained napkins for the trash and dumps them
and dumps the rims of crust which are not
corpses on a battlefield. Understandability
fills the pizza shop so thoroughly there’s no room
for anything else. Now he’s at the door summoning the kids
and they follow, of course they do, he’s a dad.

 

NOTE

Today is a double-feature (or triple-feature, counting the Christmas poem) because I have been too  busy cooking Christmas dinner and wrapping gifts these past few days to update, and I like both of these poems very much.

Dec 26

Account of a Visit from St. Nicholas (Clarke Moore or Livingston Jr.)

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Account of a Visit from St. Nicholas, by Clement Clarke Moore (1779-1863) or Henry Livingston Jr. (1748-1828)

’Twas the night before Christmas, when all thro’ the house,
Not a creature was stirring, not even a mouse;
The stockings were hung by the chimney with care,
In hopes that St. Nicholas soon would be there;
The children were nestled all snug in their beds,
While visions of sugar plums danc’d in their heads,
And Mama in her ‘kerchief, and I in my cap,
Had just settled our brains for a long winter’s nap —
When out on the lawn there arose such a clatter,
I sprang from the bed to see what was the matter.
Away to the window I flew like a flash,
Tore open the shutters, and threw up the sash.
The moon on the breast of the new fallen snow,
Gave the lustre of mid-day to objects below;
When, what to my wondering eyes should appear,
But a miniature sleigh, and eight tiny rein-deer,
With a little old driver, so lively and quick,
I knew in a moment it must be St. Nick.
More rapid than eagles his coursers they came,
And he whistled, and shouted, and call’d them by name:
“Now! Dasher, now! Dancer, now! Prancer, and Vixen,
“On! Comet, on! Cupid, on! Dunder and Blixem;
“To the top of the porch! to the top of the wall!
“Now dash away! dash away! dash away all!”
As dry leaves before the wild hurricane fly,
When they meet with an obstacle, mount to the sky;
So up to the house-top the coursers they flew,
With the sleigh full of Toys — and St. Nicholas too:
And then in a twinkling, I heard on the roof
The prancing and pawing of each little hoof.
As I drew in my head, and was turning around,
Down the chimney St. Nicholas came with a bound:
He was dress’d all in fur, from his head to his foot,
And his clothes were all tarnish’d with ashes and soot;
A bundle of toys was flung on his back,
And he look’d like a peddler just opening his pack:
His eyes — how they twinkled! his dimples how merry,
His cheeks were like roses, his nose like a cherry;
His droll little mouth was drawn up like a bow.
And the beard of his chin was as white as the snow;
The stump of a pipe he held tight in his teeth,
And the smoke it encircled his head like a wreath.
He had a broad face, and a little round belly
That shook when he laugh’d, like a bowl full of jelly:
He was chubby and plump, a right jolly old elf,
And I laugh’d when I saw him in spite of myself;
A wink of his eye and a twist of his head
Soon gave me to know I had nothing to dread.
He spoke not a word, but went straight to his work,
And fill’d all the stockings; then turn’d with a jerk,
And laying his finger aside of his nose
And giving a nod, up the chimney he rose.
He sprung to his sleigh, to his team gave a whistle,
And away they all flew, like the down of a thistle:
But I heard him exclaim, ere he drove out of sight —
Happy Christmas to all, and to all a good night.
NOTE:
This poem is often attributed to Clement Clarke Moore, but because the poem was first published anonymously, there is debate about who really wrote the poem, and Livingston is the most popular alternate author, and so offer both names.  I do not know, and ultimately it does not matter.  Neither poet ever wrote anything else of note.

Words That Burn