May 12

Day Lilies (Warren)

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Day Lilies, by Susanna Warren (1953-)

For six days, full-throated, they praised 
the light with speckled tongues and blare 
        of silence by the porch stair: 
honor guard with blazons and trumpets raised 
still heralding the steps of those 
        who have not for years walked here 
        but who once, pausing, chose

this slope for a throng of lilies: 
and hacked with mattock, pitching stones 
        and clods aside to tamp dense 
clumps of bog-soil for new roots to seize. 
So lilies tongued the brassy air 
        and cast it back in the sun's 
        wide hearing. So, the pair 

who planted the bulbs stood and heard 
that clarion silence. We've heard it, 
        standing here toward sunset 
as those gaping, burnished corollas poured 
their flourish. But the petals have 
        shrivelled, from each crumpled knot 
        droops a tangle of rough 

notes shrunk to a caul of music. 
Extend your palms: you could as well 
        cup sunbeams as pour brim-full 
again those absent flowers, or touch the quick 
arms of those who bent here, trowel in 
        hand, and scraped and sifted soil 
        held in a bed of stone.
May 11

Fifteen (Monsour)

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Fifteen, by Leslie Monsour (1948-)

The boys who fled my father’s house in fear
Of what his wrath would cost them if he found
Them nibbling slowly at his daughter’s ear,
Would vanish out the back without a sound,
And glide just like the shadow of a crow,
To wait beside the elm tree in the snow.
Something quite deadly rumbled in his voice.
He sniffed the air as if he knew the scent
Of teenage boys, and asked, “What was that noise?”
Then I’d pretend to not know what he meant,
Stand mutely by, my heart immense with dread,
As Father set the traps and went to bed.
May 10

Out of Metropolis (Emanuel)

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Out of Metropolis, by Lynn Emanuel (1949-)

We’re headed for empty-headedness,
the featureless amnesias of Idaho, Nebraska, Nevada,
states rich only in vowel sounds and alliteration.
We’re taking the train so we can see into the heart
of the heart of America framed in the windows’ cool
oblongs of light. We want cottages, farmhouses
with peaked roofs leashed by wood smoke to the clouds;
we want the golden broth of sunlight ladled over
ponds and meadows. We’ve never seen a meadow.
Now, we want to wade into one—up to our chins in the grassy
welter—the long reach of our vision grabbing up great
handfuls and armloads of scenery at the clouds’
white sale, at the bargain basement giveaway
of clods and scat and cow pies. We want to feel half
of America to the left of us and half to the right, ourselves
like a spine dividing the book in two, ourselves holding
the whole great story together.

 

Then, suddenly, the train pulls into the station,
and the scenery begins to creep forward—the ramshackle shapes
of Main Street, a Chevy dozing at a ribbon of curb, and here is a hound
and a trolley, the street lights on their long stems, here is the little park
and the park stuff: bum on a bench, deciduous trees, a woman upholstered
in a red dress, the bus out of town sunk to its chromium bumper in shadows.
The noise of a train gathers momentum and disappears into the distance,
and there is a name strolling across the landscape in the crisply voluminous
script of the title page, as though it were a signature on the contract, as though
it were the author of this story.
May 09

Armistice (Jewett)

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Armistice, by Sophie Jewett (1861-1909)

The water sings along our keel,
   The wind falls to a whispering breath;
I look into your eyes and feel
   No fear of life or death;
So near is love, so far away
The losing strife of yesterday.

 

We watch the swallow skim and dip;
   Some magic bids the world be still;
Life stands with finger upon lip;
   Love hath his gentle will;
Though hearts have bled, and tears have burned,
The river floweth unconcerned.

 

We pray the fickle flag of truce
   Still float deceitfully and fair;
Our eyes must love its sweet abuse;
   This hour we will not care,
Though just beyond to-morrow’s gate,
Arrayed and strong, the battle wait.
May 08

In the Winter of This Climate (Wunderlich)

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In the Winter of This Climate, by Mark Wunderlich (1968-)

When I dream it is of sheep

tangled in the marsh, their calls

growing faint and the light failing

 

or winter’s handful of piano notes

against the highway’s salt hiss.

Nothing stays at home forever.

 

This is the house I go back to,

long since torn down

and your footsteps walking the same five rooms

 

the day the men were frozen in their boats

when the weather changed

and a storm blew in from the east.

 

There is the sky filling with the same dim stars,

the night birds fanning in the tree’s icy ribs

and you knee-deep in the river’s motion

 

hand cupped to your head

an upturned hand filling with rapid blood

your voice loose of its short tether, saying

 

Do you hear it?  Do you hear what I’m trying to say?

May 08

The City of God (Baker)

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The City of God, by David Baker (1954-)

Now we knelt beside 
the ruined waters 
as our first blood, 
our bulb-before-bloom, 
unfurled too early 

in slender petals. 
Now we were empty. 
Now we walked for months 
on softer shoes and 
spoke, not quite with grief. 

This morning four deer 
come up to the yard 
to stand, to be stunned, 
at the woods' edge 
on their hoof-tips. Their 

ears twist like tuners, 
but they stay for minutes,
minutes more, while 
we are shadows behind 
windows watching them 

nip at the pine bark, 
nibble some brown tips 
of hydrangea. It's 
been a mean, dry winter. 
The last time I prayed—

prayed with any thought 
of reply, any 
hope of audience— 
I sat in a church 
and the city smell 

of lilac, fumes from 
the bus line, filled me. 
The joys of the body 
are not the sins 
of the soul. 

     Who knows 
how many have come 
to be with us? We
knelt, not as in prayer, 
beside the toilet 

and watched the first one 
leave us utterly—.
They were deer. Now they 
are fog. 
     Now the wind 

pulls back though the trees.
We know it will 
be this way always 
—whatever fades—
and the dreadful wake.
May 06

Prelude (Synge)

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Prelude, by J. M. (John Millington) Synge (1871-1909)

Still south I went and west and south again,

Through Wicklow from the morning till the night,

And far from cities, and the sights of men,

Lived with the sunshine and the moon’s delight.

 

I knew the stars, the flowers, and the birds,

The gray and wintry sides of many glens,

And did but half remember human words,

In converse with the mountains, moors, and fens.

May 05

Fly, Dragonfly! (Sidman)

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Fly, Dragonfly!, by Joyce Sidman (1956-)

Water nymph, you have
climbed from the shallows to don
your dragon-colors.
Perched on a reed stem
all night, shedding your skin, you dry
your wings in moonlight.
Night melts into day.
Swift birds wait to snap you up.
Fly, dragonfly! Fly!
May 05

Sympathy (Fathi)

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Sympathy, by Farnoosh Fathi (1981-)

Whose table is that, left on three legs?
If there’s been a mistake, it may be
in assuming less vulnerability
as one fills the vase—

 

whose buoyant comfort exaggerates
at the sight of his own proffered,
sympathetic hand, striking him so clean
in comparison

 

gloved white, magician—for a sec
he even sees the calla lily’s furl
in the gesture of voilà!
May 03

The Mermaid in the Hospital (Dhohmnaill)

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The Mermaid in the Hospital, by Nuala Ni Dhohmnaill (1952-)

She awoke
to find her fishtail
clean gone
but in the bed with her
were two long, cold thingammies.
You’d have thought they were tangles of kelp
or collops of ham.

 

“They’re no doubt
taking the piss,
it being New Year’s Eve.
Half the staff legless
with drink
and the other half
playing pranks.
Still, this is taking it
a bit far.”
And with that she hurled
the two thingammies out of the room.

 

But here’s the thing
she still doesn’t get—
why she tumbled out after them
arse-over-tip…
How she was connected
to those two thingammies
and how they were connected
to her.

 

It was the sister who gave her the wink
and let her know what was what.
“You have one leg attached to you there
and another one underneath that.
One leg, two legs…
A-one and a-two…
Now you have to learn
what they can do.”

 

In the long months
that followed,
I wonder if her heart fell
the way her arches fell,
her instep arches.
(Trans. Paul Muldoon)

Words That Burn