Susan Gevirtz lives in San Francisco. Assistant professor for 10 years at Sonoma State University, Calfornia, she now teaches in CCA’s graduate Visual and Critical Studies and Fine Arts programs. Her books of poetry include Aerodrome Orion & Starry Messenger (Kelsey Street, 2010); BROADCAST (Trafficker, 2010); Thrall (Post-Apollo Press, 2007); Hourglass Transcripts (Burning Deck, 2001); Spelt, a collaboration with Myung Mi Kim (a+bend, 1999); Black Box Cutaway (Kelsey Street, 1999); PROSTHESIS : : CAESAREA (Potes and Poets, 1994; reissue Little Red Leaves, 2009); Taken Place (Reality Street 1993); Linen minus (Avenue B 1992); and Domino: point of entry (Leave Books, 1992). Many essays have appeared in literary magazines and scholarly journals. She was an associate editor of HOW(ever) a journal of modernist/innovative directions in women’s poetry and scholarship, on the editorial advisory board of the journal Avec, and the online journal HOW2. She received the New Langton Arts “Bay Area Award in Litertaure” in the Spring of 2000. She has recently collaborated with interdisciplinary artist Margaret Tedesco and sound artist Andrew Klobucar. Her play Motion Picture Home was performed as part of a poet’s theatre event in the winter of 2002.