The Evergreen Art Lecture Series presents a broad range of interdisciplinary approaches to contemporary art issues by artists, writers, activists and scholars.  The emphasis is to introduce the way in which a variety of practices undertake fields of inquiry in the arts. The series provides a lively forum for the exchange of ideas between the speakers, students, faculty and the public. The series will take place in the Purce/Lecture Hall 1 at the Evergreen State College in Olympia, WA. Most of the talks take place on every other Wednesday, on even weeks, during the quarter from 11:30-1:00 pm and are free and open to the public.

WEEK 2 – 10/3 Christopher Paul Jordanpainting and sculpture. Christopher Paul Jordan integrates virtual and physical public space to form infrastructures for dialogue and self-determination among dislocated people. Jordan’s paintings and sculptures are artifacts from his work in community and time-capsules for expanded inquiry.

WEEK 4 – 10/17 Rodrigo Valenzuelaphotography, video, installation. Born in Chile, Valenzuela is a Los Angeles-based artist working in photography, video, painting, and installation. Using autobiographical threads to inform larger universal fields of experience, his work constructs narratives, scenes, and stories that point to the tensions found between the individual and communities. Much of Valenzuela’s work deals with the experience of undocumented immigrants and laborers.  He is an Evergreen alumni and assistant professor in the Art Department at UCLA.

WEEK 6 – 10/31  Susanna Bluhm,  painting. “My paintings are usually related in some way to my physical environments and experience of them. Source material I draw from when I’m painting often includes photographs I’ve taken of places I’ve been. Also, the paintings are experiments in creating new environments. An individual painting can become a new place in itself, with sensations of things that might happen in a place, such as weather, touch, landscape, temperature, sex or noise. Abstract marks interact with more recognizable shapes, and a kind of narrative ensues.”

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