Changing Directions

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Creativity is often controlled by the resources that we have at hand. Some paint, some do found object art, but for film you are often limited by the people you can interview.

In the beginning process of this film I spent hours and hours contacting people, posting ads and returning emails to set up multiple interviews that would tell the story of my film. In the end most of my interviews fell through leaving me with something that I needed to change and create.

I decided to focus my film on something that was more personal to me. Changing the entire dynamic of what I was making. I told the story of PTSD in returning soldiers and how the outdoors is therapeutic. This meant changing my entire plan. Putting myself in front of the camera which also makes me more vulnerable.

The final product I have is not 45 min in length. I could have mad a longer film with the shots that i had but instead I shortened it in order to preserve the flow speed and tempo. I didn’t want the viewer to watch 30 min of hiking shots and 10 min long interviews. I wanted them to feel my point. And not become bored or fidgety. In the end my film is 13 minutes which to me is a successful length.

Reading: Documentary Storytelling: Creative Nonfiction on Screen

This book played a major roll in the project that I had set out to make.

This is pretty much a manual on how to really “write” a story that will be told via a non-fiction media like a documentary film. Writing and story creation are so important when it comes to a documentary film, even more than I had origanally thought. This book pushed me to look deep at the ideas and notions I was trying to present. To not just think of the astetic and beautiful shots that I would go and get, but to look at story.

Story is the most important part of any film. It is what drives it. No matter the documentary thier is a sence of story. Wheter the story is told to you directly by the filmaker, through narration, or it is something you watch unfold and play out on screen. These stories had to have a initial concept. The filmakers needed to know before hand what the story was and wheter it would be interesting enough for people to watch.

While writing is very important some filmakers do get lucky and something unexpected really does play out right infront ouf thier lens and they are able to capture it. This thing may be so unexpected that it changes the entire direction of the story and a new story must be created. These things make for some of the most captivating documentaries that you can see.

Although luck can make a documentary great so can story. When you “write” a story for documentary film you are not writing a word for word script. You are more or less planning for shots, locations, and casting that will tell the story for you. Whether it be 30 day mcdonalds binge or the story of the national spelling bee. The people you cast to interview or not interview can create the story.

This makes the creative medium of documentary filmmaking a little different than just following people around with a camera. As I learned the majority of filmaking takes place without a camera in your hands. Planning, storyboarding, and casting. Casting being the most important.

This book was to me a savior of a manual and helped to drive my creation of this film.

Spirituality in the Outdoors

There are things around us that no matter the religious or spiritual background people describe as powerful! This is something that in my initial interviews for my film has radiated with me. The outdoors is often described by people as being spiritual.

Today I began researching a great mountaineer and educator named Willi Unsoeld. Unsoeld was part of the founding faculty here at Evergreen and other outdoor programs. He was part of the first american expedition on Everest. It is not his achievements that have my blood rushing and my heart pounding. It is his words.

Luckily for me the library has piles of audio cds of his lectures and speeches. Listening to these thoughts on the philosophy and psychology of the outdoors. As I write this now I am listening to him explain the groundwork of Evergreen.

Most people who are not involved in the outdoors often think of outdoor adventure as a conquest or a battle. While there are personal conquests in hiking, backpacking, climbing, and mountaineering these are not often the things that people take away from these adventures.

When I reflect on things I have done I don’t talk of the miles or terrain I have conquered . I talk of the feelings of beauty of being tired of being happy. I remember those moments that are small. Meals shared with one another.  Cold nights in a tent. For me being outside changes who you are.

These are just reflections that I have made listening to these great lectures and speeches.

http://www.youtube.com/watch?v=MvowGvmY-KE

World Forestry Center

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So I recently vetntured to Portland Oregon with my lovely family to visity the world forestry meuseum as part of my project. This mueseum is really a teachers meusuem. It lacked information on the walls and exibits and was more taylored to the teacher being there to guide a group around and tell them about the things that they are seeing. I feel that the museum was not up to par with what I needed to see for this program..so I went to the zoo.

While the zoo may not work for anyone elses project it did work for mine. The portland zoo was one of the best zoos I have seen for habitat design. The enclosures were so well designed as to put sleeping and eating spaces right where the public could veiw the animial. Often times you may go to a zoo and the animal will be sleeping in a back corner of the exibit where its den is located. The portland exibits had windows attached to the dens so that the animals where always in view.

When we talk of outdoor domestic space we must take into account how animals live in the outdoors. Exibits in a zoo must be designed to make the habitant feel natural and at home. It takes a great deal of design to make this possible.

Above is a sketch of a sea lion habitat. The arhetect must take into acount living space play space resting space and feeding space when designing for the animal. There is also holding spaces for the animals at night.

Animal den design in the wild also carries over to alot of suvival shelters. The polar bear mother will dig a den into the snow where she will birth and care for her young. The aspects of this design carry into the designs listed in survival manuals for building snow caves.

The portland zoo allowed me to get close to the creatures that I enjoy sharing space with all the time. From otters to bears. From mountain lions to bald eagles. In the pacific northwest we all share the outdoors. It is humbling to know that there are creatures in the woods who you could squash with your foot and others who could eat you for dinner.

 

Interview with a Photographer

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Change

If there is one thing that I took away from the interview I had the other day with Bradley Castaneda, in the lower rainforest of Mount Rainier National Park, it is change. I sought out an interview with Bradley to show the outdoors as a space of creativity and inspiration. Through the hike we talked about many things from eating right to family. But the inspiration that I received from him was the way he used the outdoors to get in shape.  To better himself.

I think that people only think of fitness as running or hitting the gym, but that is not everyone’s cup of tea. To me the gym can be a turn off. Running down the street can make you feel like everyone who drives by is staring at you. Often times there is little to no “pay-off” to a run around your neighborhood.

There are so many advantages to the outdoors as a “fitness space”. Hiking is incredible exercise for people of all fitness levels. Selecting a hike that is right for you and doing it can be much better than just walking alone. Add to that a backpack with weight and you amp up your workout. There are also other things you can do.

A new trend that is getting going, that may not be a new concept, is trail running. Take your normal around the block run, add in some hill climbs and obstacles and you have a better workout. You can also trail run to some amazing vistas where you get something for your run.

This concept of hiking, backpacking, and climbing as fitness is not something that Bradley introduced me to. For me this is something that I have personally been trying to do. But listening to his commitment to his craft and to his sport lit a fire inside of me.

Back to the interview. Bradley is an amazing outdoor photographer who I had originally met when we went to high school together. His photos are something that can transport a person from your couch to the places that he has been. You can check out his Instagram if you want to see more of his work. Also check out the film for the actual interview.

The photos below are some of his work. If you would like to see more check out his website.



Juxtapose

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When it comes to sharing the idea of how important the outdoors is as a domestic space it is crucial to show the opposite of that space. To show the place that people want to escape.

In the film I need to show this in a negative matter. Use my shot composition to create the feeling of this space being ultimately the enemy in my film.

A wet drab day in Seattle can sometimes create this feeling with little to no effort required. The city itself can be lonely even though you are packed together with people, these people may still be strangers. The city much like the woods is filled with life. In the forest this life is contained in the plants and animals that call it home. While in the city the life is within the people and machines.

The shots that I have taken today will play a very small roll in finished product of my film. These will go by fast, but it is important to have them in the film. As many of my interviews thus far have talked about this need to “escape” the hustle, the technology and the world. By showcasing these few shots it will take the audience to the place that the stories talk about.

The ability I have to get these shots early on in the process is contributed to having created a shot list. The sequence I will edit these shots into will probably not be made until the end of my schedule. Being able to go and acquire these different shots when I have the chance, rather than scrambling to create a sequence at the last minute will better allow my vision to take the front seat in this project.

Editing: (Hoh Rainforest)

Taking your footage into the editing bay is always a little nerve racking. Especially when you have shot something that cannot be re-made, something that was a one time only deal. Luckily for me my hard work this past weekend payed off. My worries of having not enough footage were put to rest as I eventually left a few clips on the cutting room floor.

One thing you struggle with in the field is coverage. Making a good interview is not just about good video of someone talking it is also about the B-roll. B-roll shots are those that are not of the subject of the interview but are almost stock footage that you take and then editing in, overlapping the audio throughout.

For me the wet weather of the weekend made me worried that I did not have my camera out enough to take great footage and that when I went to edit that I would not be able to have enough coverage to make the interviews and the entire segment flow the way I had wanted it to. Luckily for me my small Kodak Playsport saved the day. This small waterproof rugged camera that shoots 1080p was a life saver while hiking. I didn’t have to worry about the weather damaging it and it took some great footage.

Another problem that I ran into was exposure. The ever changing light in the rainforest valley caused me to have some over exposed interviews. I would set up the camera and then step to the side to record audio and also take the subjects focus off of the camera. This caused me to not notice when exposure had changed due to the sun emerging from behind a cloud.

I did some reasearch and found this tutorial that taught me all about how to do color and exposure correction in post production. This proved valuable when it came to salvaging the interviews and keeping the look of them as spectacular as I saw them while I was there.

4 Hours of editing for a 7 min segment. And I still want to fine tune it a little more to make it perfect.

Hoh Rainforest with Dirty Hands and TOP

This weekend I had the privilege of going on a trip with the Dirty Hands art collective and TOP from TESC. I had a wonderful time with the two groups on the joint student activities trip.

After the drive to the trail-head we reached the Hoh Rainforest Ranger Station. This is where we set off on our adventure. The snow was falling and it was wet. The snow also added a touch of beauty that fair weather campers might never get to see. We braved the cold and the snow to hike 5 miles into the rainforest  We set up camp at 5 mile island. This would be our “Home” for the night. The cold and wet really get to you when you stop moving.

After setting up camp the amazing TOP staff prepared us an amazing meal of tortellini and vegetables. This was by far the best camp food I have ever had so I thank the people at TOP for that. They set up an incredible space right along the river where they could cook food sheltered from the elements with one of the most spectacular views you could ask for. An open air, waterfront kitchen. A true example of a domestic space.

Unfortunately for my film making the cold was also taking its toll on Faith my service dog. I took her to our tent and her in my extra layers to get her dry and keep her warm. I also turned in early so I could stay snuggled up next to her.

The next morning we awoke to SUNSHINE and were able to break out the good non waterproof camera to get some good footage and shoot some interviews. It amazes me how much peoples need to be outdoors drives them and how similar everyone’s reason to spend a night in the pouring down rain and snow in order to be outside. I would say with weather like this it was more the people than the equipment that converted the wilderness to a true domestic space. The footage turned out stunning and I can’t wait to get in and edit it.

All in all a great trip with some great people and nothing but good stories to tell!