Author Archives: Uncle Daryl

The Multi-track Mix Project

Photo0003 (2)This is where it all happened… the music room. I had been using an old Dell Pentium 4 system before this, but I installed the Cakewalk on the Asus i7 laptop for this project, thinking it would work better. It didn’t. Apparently I have to adjust some settings to take advantage of the other cores available. It still worked fine.

Photo0019Next came the drum track(s)… courtesy of the Technics KN-1000 workstation. I only had to mess with it a little…

Photo0026I played the bass line (which is a combination of two bass line which I completely ripped off from the Batman and Peter Gunn TV show themes) on this Epiphone Viola bass. It’s similar in looks and sound to the Hofner bass played by Paul McCartney of the Beatles. As a guitar player, I really like the short scale and light weight. As part of the “producing” side of things, I must admit that I had to go into the bass track and move some (a lot) of the notes around to keep pace with the drums. Generally, I play guitar in a way that pushes on the tempo a little, but the bass has to be in the pocket to get away with that… doesn’t work for bass at all. You get what you pay for… and the check I wrote to myself bounced.

PT-Tele7The guitar tracks were played through a direct box directly into the board. The track was recorded clean with an 8:1 compression. The distortion was added later with a Sans-amp patch. This track was pretty good, not too much to fix here.

Photo0019The piano track was added through the auspices of the Technics KN-1000. I passed piano proficiency in college (the first time around) but I have never been what you would call a player… more of an operator, really. Anyway, I was attempting to add a kind of Lynyrd Skynyrd/Dr. John kind of rhythm part which I think worked but could be played in a higher register.

Photo0017The vocals were all done with this mic. It’s a Studio Projects B-1, a cardioid, large diaphragm condenser. I recorded two main vocal tracks and 12 total for the back ups, 3 parts, 4 times each. They got mixed down to three total, one high, one low, and one high and low for the oohs in the middle. I used 6:1 compression with a low cut filter to record them and removed the filter and added a slight chorus effect and some reverb to set it back some.

And here is the result of almost 100 recorded and/or attempted tracks…

 

I wrote this song a few years ago and have never recorded it. It makes me happy to hear it after all this time.

 

The Drop-in Mix Project

Love Otis Redding… love Dock of the Bay. Every time I hear it, I sing these back up vocals so it was perfect for this project.

I used a TS-2 and recorded a total of six tracks (three parts, two takes each) which got bounced to three tracks total. Moderate to heavy compression (about 10:1) with a reverb (small hall). I also had to pitch correct some of the vocals.

If I had it to do over again (and I may during break) I’d probably try to set them back in the mix a bit more.

Best/Worst Mixes

I chose two songs from my own album for this assignment.

 

 

The Best is “Losin’” from “Wayward Soul”…

… and the Worst is “Lovely Wife”.

Don’t get me wrong, I love both these songs. But I think the second could have been mixed better. If I can ever find the damn tracks, I’ll fix it.

First Impressions

Having spent many hours in a recording studio many years ago, the basics seem to be relatively the same but the vernacular has changed some. Each studio and console has it’s own geography and labeling system for things, echo sends for effects sends. Hopefully my memory will serve me well enough to retain the new words vs. continually translating the old ones.