Paper: Week 7

Tuesday Morning Notes

Mississippi Masala

  • instead of leaving home, being forced out of your home
  • Indians considered white in Uganda, black in America – colorism.
  • finding home in your culture but your culture might be rejecting you, leaving you feeling homeless
  • having to choose between cultures instead of integrating (leave Uganda, choosing your partner over your family, subscribing to the regular tradition or running away, etc.)
  • I appreciate the family genuinely loving each other and still upholding tradition as opposed to “tradition dictates that you…”
  • The divisiveness of race is not always necessarily white/non-white.

Tuesday Afternoon Notes

  • the borders of South Asia changed historically, creating different borders as immigration policies and attitudes changed
  • the “inbetweenness” of white and black of South Asians led to a similar colorist view on what it is to be white and black, one South Asian creating a case similar to Ozawa vs US
  • the stereotype of APIA being very skilled is the fact many immigrants were only allowed in if they learned very valuable skills such as medicine or engineering
  • many south asian representation is from weird fetishization of culture though actual representation does exist
  • after 9/11, many South Asians were mistaken for Muslims and increased discrimination/a lot of confusion in representation mixing Muslims and South Asians incorrectly

Wednesday

Writing Workshop

  • remember: Writing is cyclical. There is no such thing as a perfect writer, editor, or story.
  • Easybib and other citation generators aren’t as good as your high school teachers and previous professors claim.
  • Get your Academic Statement together.

Scissors: Week 7

  • Every time I do a marginalized group based research, I always look for negative research. I look for bad representation, perpetuation of stereotypes, origins of discrimination, etc. Maybe I’m just some gross masochistic fetishizer who copes only by being comfortable in oppression. Or maybe media has only shown me trauma and I feel like being traumatized is the only way to feel like I’m allowed to be myself. Maybe that’s all to my life. You suffer and then die. So yeah, go millennials for wanting to have a great time since we’re not gonna live very long apparently with our beautiful, martyr deaths I guess. (Aka let me be soft and my happy ending is me still being soft and everyone just stops trying to kill me thanks)
  • I seriously love IKEA furniture. That’s my dad home. Like fuck my majors, I’ll work for IKEA. I want to major in IKEA building. I like making homes both figuratively and literally. I want the home I build, solely out of pikes and plasterboard and no insulation, to house the laptop where I write my trashy fanfic that is both sappy and a jab at America’s weird sexualization of people’s existences.
  • @Chico I want every weeb fanfic writer to read an excerpt from their worst piece, obviously including me. No limits. Own up, y’all.
  • Also @Chico, one episode of Naruto. Please. I beg you.

Paper: Week 6

Tuesday

The Beautiful Country (film)

  • First and foremost, Tam didn’t need to die to emphasize the treacherous journey of leaving your country if you don’t have money. The way they were treated like cattle and labor machines made it clear enough. If it was for shock effect, that’s even worse.
  • The captain’s white saviorism made me feel very scared for Binh. I thought he’d be tasked with hard labor and inhumane working conditions but the captain was just had weird (disgusting) fetish eyes.
  • Developing relationships based on English is very Eurocentric when I felt like people could have different things in common that they’d care about more like needing money for survival, familial love, etc. These things don’t have to be communicated verbally.
  • To me, it seemed like the father left because he was just a GI creating war children and my heart sunk when he walked past Binh. But later finding out he was blind and didn’t want to burden his wife was probably the first sigh of relief I had throughout the movie.
  • In a similar note, we see Binh lose family and hope often but I think his most telling outburst was when he was painting the fence with his father. Arguably, that was also his most expressive. I don’t recall what was said but I do recall leaving his mother, Tam, and Ling, Binh was very quiet but clearly upset. For him to throw things and walk away (aside from the time he fought the gambler on the ship or finding out about free airfare), it was more of an outburst than silent suffering.
  • The theme of home was everywhere, especially leaving home as they were places, people, and livelihood.

Friday Morning

  • Your theme and color palette affects accessibility and navigation – just as important as content.
  • If you’re feeling confident or have some fail safes, toying with CSS would be nifty, especially if the themes don’t have the combination of features you want.

Friday Afternoon

Vietnamese Music Videos

  • Both MV’s utilized English – as much of non-European pop media does anyway.
  • All performers had very light skin.
  • Interestingly enough, the first music video’s subtitles did not translate the Vietnamese into English but just had pronunciation.

Seminar

  • Post-colonialism/imperialism doesn’t exist (yet) since the mechanics and mentalities remain the same.
  • The major recurring themes throughout all texts is finding home, family secrets, war/war scars, and fathers (though this book wasn’t as father centered as the others).
  • Vinh reminded me of one my sons and how I feel about him – it is because I love him I will not excuse any crimes against humanity. It really fucked me up, honestly.
  • White saviors do not heal the scars of colonialism/imperialism but agitate them if not reopen.
  • There was a dream like feeling sometimes and much like Donald Duk, sometimes it’s best if the reader isn’t entirely sure what is reality or if what is being described should be a literally taken.

Scissors: Week 6

  • My son likes to say racist slurs and my daughter loves quirky slave owners: the musical and they say it to my face without flinching or thinking twice aaaAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA (obvi i slap my son and tell my daughter im disappointed but still)
  • lmao i told my therapist about the books we’ve been reading n hes like well duh ur depressed, its rehashing trauma n it was like he cured cancer b4 my eyes smdh
  • i should change my meaning of home to “building ikea furniture correctly on the first try because honestly ????????????”
  • education should be accessible but also that accessibility shouldn’t be dependent on ur discomfort with my browness n unwillingness to self-hate so white fragility can die also my mother would’ve been a doctor had it not been the fact her evil adoptive mother told her to fuck off n become a pharmacist instead so i literally dont care how hurt ur feelings are because im anti racist n u dont get to live ignorantly during this program unless you ignore me so please make it clear u dont acknowledge me thnx
  • i dislike white fragility, especially within poc because news flash, u never will be considered white so stop subscribing to it
  • all movies should be like skyrim where ur not allowed to kill children because killing children shouldn’t be necessary to have empathy imo
  • anybody with white guilt can absolve themselves with a monthly amazon gift card or buying me some anime merch because u weebs owe me so much reparation money for opening ur mouths but u can also help poc, especially black people, by taking on the emotional labor by directly fighting the federal government and white supremacy with ur fists n donating to BLACK LIVES MATTER
  • if half the room (especially if it’s the poc) roll their eyes/cringe/are taken aback when u say something, maybe consider what youre saying even though you should’ve done that before opening your mouth
  • ask yourself why the seminar groups are the way they are
  • if one more white vegan says i should stop eating meat, especially seafood, to my pacific islander ass, i will make sure you can’t get those dreads you were probably thinking of getting
  • i would not complain if we added another class day to watch more movies (@Chico)

Week 5: Paper

Tuesday:

Popular Music: Three Things

  1. pop music incorporates much of pop culture
  2. Edward Liu, some aints
  3. “Most of my heroes don’t appear on no stamps” – Elizabeth Wheeler, Dialogics of Rap

Boxing in Pinoy Culture

  • a sport Pinoy can claim as our own/something regarded as American that we’ve made ours
  • historical use of financial support
  • metaphor for resistance
  • tbh every papa boxed in their life, either casually or professionally don’t lie

The Debut

Dante Basco is one of the most iconic Pinoy film stars, permeating music through his previous roles. In The Debut, he (in my opinion) perfectly demonstrates the seemingly mutual exclusiveness of American and Pinoy cultural expectations. As all coming of age stories, it seems he has to choose between two worlds before learning how to reconcile the two worlds he lives in.

The movie also depicts the toxic masculinity/dedication to patriarchy the Philippines still emboldens even to this day. Also, even characters acknowledge/demonstrate the anti-blackness nonblack light skin poc participate in for self defense, whether they know it or not.

Wednesday:

Peer Reviews

  • includes honesty, kindness, and collaboration
  • speeds up learning process
  • historically successful
  • argues everyone has innate talent
  • teachers are writers who teach people to be writers – a self-sufficient machine
  • What? Why? How?
  • an opportunity to receive non-evaluative feedback
  • a group of peers may help more than one teacher

Friday

Dark Blue Suit – Peter Bacho

  • chasing the American Dream
  • Fathers as the pivotal points, beginning and end which include some sort of death
  • rise and fall of people, cultures, eras, and attitudes (that still live on)
  • coming of age happens more than once and for many reasons
  • where is the line between excusable and inexcusable evil acts for good?
  • appropriation of black culture by nonblack poc for self defense and preservation but also the perpetuation of white supremacy
  • for many second generation kids, “home” is a distant, unfamiliar land since their origins and their current dwellings may contradict. self-discovery, exploration, and research will probably take a life time and then some

Week 5: Rock

One of the most recurring themes in our novels so far has been death of/with fathers at the end. I am a father of four, all adopted – three white, one primarily Filipino and Thai. Two of which, have died. I have almost known death a few times and my two surviving children are well aware of this fact.

In relation to my project’s definition of home (where you feel you belong), being a father has a social and cultural expectations – some of which I meet willingly and some I don’t.

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Week 5: Scissors

(CW: war crimes/crimes against humanity especially of a sexual nature, imperialist fuckery)

When someone lists aspects and parts of pop culture, music is one of the first answers. We like music because it’s rhythmic, the lyrics can have personal value, and/or it might just make you feel a way you like feeling.

And part of pop culture is what motivates us to like what we like – History, culture, society, and ofcourse, politics. Your family’s relationship with colonialism/imperialism is deeply ingrained into you. You either benefited from the oppression of others, having access to resources to keep you and your progeny healthy. Or your DNA holds generational trauma and your lack of opportunities to be human because you’re not considered human.

What does this have to do with music?

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