Seattle Art Museum Visit

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For my museum visit, I went to the Seattle Art Museum because I knew they had a diverse range of artworks and had two of Joseph Cornell’s boxes and a few of his collages in their permanent collection. I was disappointed to find that after I looked through everything there and asked a guide, his pieces were not on display at the moment. I was so excited to see a Cornell box up close in person, but oh well. There were a few cool things to see there, along with a lot of, dare I say, boring crap. I tend to be very picky about the art that interests me and I found that a lot of what I was seeing at SAM was either pretty dull or I had a hard time finding the meaning in it or considering it to be “fine art”.  However, there was definitely some good work to see.

I was very excited to see four of Carrie Mae Weems’ beautiful black and white photographs. I know we’ve discussed her work around domestic space quite a bit in class, so it was really cool to see her prints so large and in person.

 


The piece that I found to be most relevant to my project was a black and white photograph entitled Coney Island Boardwalk, Man by Roy DeCarava. It had a nostalgic quality to it that reminded me of the reasons I wanted to use black and white photography in my work during this quarter.  I think it must be a pretty rare photograph too because I can’t even find it on Google; which kind of makes it even cooler that I got to see it at the museum. I’ve done a little research on the artist and many of his other photographs have a “home life” quality to them that appeals to me a lot. I think discovering him was the best thing I took away from going to SAM.

There was also a painting that I connected to that was called How My Mother’s Embroidered Apron Unfolds in My Life by Arshile Gorky. This abstract painting coupled with its descriptive title makes me think that is represents a memory or attempts to encapsulate a particular relationship within the artist’s life, which is basically what I aim to do in each of my boxes.

Another thing I enjoyed quite a bit was “The Porcelain Room” because it sort of reminded me of a giant assemblage. They pieced together a huge display of porcelain objects, all found from various time periods and places of origin. The display describes how porcelain was once very valuable but has become commonplace now and that this room is there way of making these artifacts special again. This is similar to the way I want to treat the objects in my work. 

So, basically, the point of this post is for me to say that they didn’t have what I went to the museum to see, but I ended up discovering some pretty cool new stuff instead.

81 thoughts on “Seattle Art Museum Visit”

  1. Isabella, Your museum visit did provide some great new art discoveries for you. You were able to see ways that nostalgia can be represented, via DeCarava’s and Gorky’s work. Your mention of Gorky was timely for me. While in L.A. I spoke to an Armenian shopkeeper who told me about the WWI genocide of Armenians and the loss of their homeland. As an Armenian, Gorky’s work was influenced by the tragedy. Nostalgia for a home country must be a particularly deep form of the emotion—the shopkeeper, although a young man, was still quite affected. I saw several Gorky paintings at LACMA and took note that he was an Armenian American painter. From 1933-34, Gorky completed a series of paintings called “Nighttime, Enigma and Nostalgia,” you can read about it here: http://www.legacyproject.org/index.php?artID=600&page=art_detail
    Stephanie

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  2. I share your feeling regarding museum visits. I am usually perplexed as to why something is considered fine art. I am also usually perplexed as to why I am drawn to certain pieces. Art for me is wonderfully confusing. I blame most of my own confusion regarding art on my own ignorance though. Ha ha. How cool to see the Weems in person! I must say that your SAM post has inspired me to visit. I have not been to SAM in ages. The porcelain room is amazing. I love groupings of multiple objects and I wonder if this has to do with an innate desire to organize. There is something so pleasing about discovering visual stimuli in an organized “mess”. I hope that makes sense. I get that feeling when I gaze at exposed circuit boards and other people’s photo albums. And your boxes.

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  56. I think it must be a pretty rare photograph too because I can’t even find it on Google; which kind of makes it even cooler that I got to see it at the museum. I’ve done a little research on the Piece that ever was wrote in New-England” be anything but satire? This piece at first expounds upon the fact that many foreigners criticize arabuloku

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  64. DeCarava’s “Coney Island Boardwalk, Man” seems to have made a significant impact, connecting with the author’s personal interest in black-and-white photography and themes of crusher clicker “home life.”

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  66. Your account of the Seattle Art Museum visit reveals a genuine exploration of art and its nuances. It’s always a letdown when anticipated works, like those of Joseph Cornell, aren’t available to view in person. Yet, your willingness to seek out other pieces, such as the impactful photographs by Carrie Mae Weems and Roy DeCarava, showcases your dedication to finding meaning in unexpected places. Connecting Gorky’s abstract work to your artistic vision illustrates how experiences like these can enrich your creative process.

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  67. During my visit to the Seattle Art Museum, I was eager to see Joseph Cornell’s art pieces, but they weren’t on display. While I explored the collection, I found some intriguing works along with a few dull ones. The experience felt a bit like chatting on Omegle—sometimes you meet fascinating people, and sometimes it’s just a bore. Regardless, there were still a few gems worth appreciating.

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  70. During my visit to the Seattle Art Museum, I was eager to see Joseph Cornell’s boxes, but unfortunately, they weren’t on display. While some artworks were intriguing, much of it felt dull, making me wish I could play the Dinosaur Game instead to pass the time. I’m quite selective about art, and the experience was a mix of disappointment and a few hidden gems worth seeing.

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